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RE320 Variable-D dynamic microphone
RE320

TWO MICS IN ONE.

A Variable-D dynamic with a dual-voicing switch: instant kick, or smooth on everything else.
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RE320 Variable-D dynamic microphone

A Variable-D dynamic with a dual-voicing switch — instant kick, or smooth on everything else.

Flip the switch and change the job. The RE320 is a professional dynamic built for low noise and predictable response, with Variable-D holding tone steady up to 180° off-axis as the source moves. The dual-voicing switch picks the mic for the moment: a kick-drum curve for an instant, tight low end, or a flat, linear curve for amps, toms, brass, wind, and voice. The same hum-bucking coil as the RE20 keeps the path quiet near noisy gear.

Key features

Two mics in one body
Dual-voicing switch flips between a kick-drum curve and a flat, linear curve.
Instant kick
The left position is tuned for a tight bass-drum sound with little added EQ.
Steady tone as the source moves
Variable-D holds response consistent up to 180° off-axis.
Quiet near noisy gear
RE20-grade hum-bucking coil arrests electromagnetic interference.
One mic, many sources
Guitar and bass amps, toms, percussion, brass, wind, and voice.
Built to last
Extremely durable build, fit, and finish, with integral pop filters onboard.

Features

Flip the switch and change the job. The RE320 is a professional dynamic built for low noise and predictable response, with Variable-D holding tone steady up to 180° off-axis as the source moves. The dual-voicing switch picks the mic for the moment: a kick-drum curve for an instant, tight low end, or a flat, linear curve for amps, toms, brass, wind, and voice. The same hum-bucking coil as the RE20 keeps the path quiet near noisy gear.
  • Two mics in one body — dual-voicing switch flips between a kick-drum curve and a flat, linear curve.
  • Instant kick — the left position is tuned for a tight bass-drum sound with little added EQ.
  • Steady tone as the source moves — Variable-D holds response consistent up to 180° off-axis.
  • Quiet near noisy gear — RE20-grade hum-bucking coil arrests electromagnetic interference.
  • One mic, many sources — guitar and bass amps, toms, percussion, brass, wind, and voice.

Specifications

Acoustic Performance

Frequency Response

30 Hz - 18,000 Hz (kick curve) 45 Hz - 18,000 Hz (general curve)

Sensitivity

2.5 mV/pascal

Polar Pattern

Cardioid

Transducers & Drivers

Element Type

Dynamic N/Dym Magnet Structure

Impedance

Nominal Impedance

150 ohms balanced

LF Impedance

150 ohms balanced

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